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Ssempijja Charles (Charz)

Product Designer & UX Engineer in Kampala, Uganda (HIM)

Did I put enough work in?


We have built a world that functions like a casino.

Ever since the advent of social media, there has been a fundamental shift in the human timeline. We have deleted the "waiting period." There was a time when good news sat with you for a while—a warm, private secret before it was shared. Now, the ink is barely dry on the contract for the new job, the keys to the new car are barely in hand, before we are broadcasting it to the world.

We have become addicted to the "win." We treat life like a slot machine; we put a coin in, pull the lever, and expect the lights and bells of validation to ring immediately.

But this addiction to the instant is doing more than just shortening our attention spans. It is flattening our world, killing our art, and driving us toward a singular, terrifyingly small point.

This culture of "now" has birthed a strange, hollow kind of peer pressure. Because we only see the wins—the jackpot moments—we assume that life is supposed to "just work out."

This expectation has fertilized the ground for fraud. When the only thing that matters is the result (the photo of the lifestyle), the process becomes irrelevant. Why work for it when you can fake it? We are surrounded by a theater of lies, where people curate a reality that doesn't exist just to keep up with an algorithmic standard of happiness.

Technology has only accelerated this decay of the process.

Think about digital art. Ten years ago, if you saw a mind-bending image, you knew someone had spent years mastering the pen tool in Photoshop. They understood light, shadow, and composition. You could bet money on whether an image was edited or real because the skill required to fool the eye was rare.

Today? You can ask Gemini, Grok, or Midjourney to conjure a masterpiece in seconds. The gap between "idea" and "execution" has vanished. While this is a technological marvel, it is also a spiritual theft. We are losing the grit, the learning curve, and the beautiful frustration that comes with mastering a craft.

This demand for instant access has seeped into our most primal desires.

We have created industries predicated on the removal of friction. Look at platforms like OnlyFans. The ancient, complex dance of courtship and intimacy has been reduced to a transaction. You can pay to see a naked woman; you can load a page to simulate connection.

We are, quite literally, one page-refresh away from "happiness" at any given moment. But is this how the human mind was built to operate? We are binging on empty calories of dopamine, starving for the nourishment of slow, earned connection.

The most visible victim of this mindset is the physical world around us.

Look out your window. Look at the streetlights. Look at the office buildings. What do you see?

You see straight lines. You see simple bends. You see blocks of concrete and glass.

Now, look at photographs of cities from a hundred years ago. A streetlamp wasn't just a pole holding a bulb; it was a "tiny castle" of ironwork. It was ornamented, curved, and detailed. Buildings had gargoyles, cornices, and intricate masonry.

Why did we stop building like that?

Because of Instant Gratification in Manufacturing.

To make an ornamented streetlamp takes time. It requires a craftsman. It requires molten iron poured into complex molds. It is slow.

To make a modern streetlamp, you take a steel pipe, bend it once, and ship it.

We sacrificed beauty for speed. An ornamented object takes longer to produce, which means less production volume. A minimal object can be mass-produced, packed flat, and shipped instantly. We have stripped the character out of our civilization because "character" is inefficient. We have optimized our world into a dull, grey efficiency.

If everyone is busy seeking instant gratification, how can anyone perfect anything? Perfection requires patience. It requires the willingness to be bored, to be frustrated, to fail, and to start over.

If we remove the struggle, we remove the soul.

I feel like we are all in a race car, driving faster and faster. But we aren't driving toward a horizon; we are driving toward a small, singular dot. A place where everything is instant, everything is easy, everything is efficient, and absolutely nothing matters.

We need to ask ourselves: am i worth it, did i put enough work in?

Where's the fire, what's the hurry about?
You'd better cool it off before you burn it out
You've got so much to do
And only so many hours in a day, hey